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Elspeth Penfold

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Wednesday, 5 October 2016

Friday October 7th at The Garden Gate, at 11.00.a.m


We are preparing for our workshop on Friday at the Garden Gate in Margate, as a part of their 
"Falling Leaves Arts Festival" http://www.thegardengateproject.co.uk/ .

As a part of the Walking with the Waste Land Research Group,  we will be running some workshops at the Garden Gate Community Garden in Margate next Friday from 11a.m. until 2p.m. for visiting groups of young people and adults with learning difficulties.

 Judy Dermott and Linda Telfer will be reading from Burnt Norton and talking about TS Eliot and the poem.

Sharon Rowe is leading on the painting and planting of Succulent boxes (see image below). 
The boxes have been made as a collaborative project between ourselves, the Broadstairs Town Shed project and The Garden Gate. 

I will be making ropes and creating knots with participants to document and record their experience as a "memory" of the sessions.

A big thank you to Jennifer Deakin , Diana Lane and Margaret Hall who are helping us to deliver the workshops.

Looking Forward to it!


To the Garden: A Creative wander, Through Time and the Seasons with T.S. Eliot


“To be conscious is not to be in time
But only in time can the moment in the rose-garden,    
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.”
  • T.S. Eliot, Burnt Norton
  • T.S. Eliot, Burnt Norton


Take a moment to create with Poetry, Planting and Rope making. 




A collaboration between local artists, the ‘A Journey with The Waste Land’ Research group , the Garden Gate and the Broadstairs Town Shed Project.


Posted by Elspeth (Billie) Penfold at 02:06 No comments:

Friday, 30 September 2016

News and an invitation to join a walk on October 8th .


To the Garden: A Walk and Talk Through Time and the Seasons with TS Eliot

“To be conscious is not to be in time
But only in time can the moment in the rose-garden,    
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.”

  - T.S. Eliot, Burnt Norton


I am organising a walk  in collaboration with local artists,  members of the "A Journey with The Waste Land Forum", and local community organisations on Saturday 8th October.

We will walk from Turner Contemporary to the Garden Gate, starting at 12pm, following the coastal perimeter then heading up to and finishing at the garden at 1.30pm, where there will be various art & craft activities and food and drink, as a part of the "Falling Leaves Art Festival" . The Garden is on the Thanet loop route with buses which run to Margate Centre every 10 - 15 minutes. 

Through a number of sited readings from TS Eliot's poem 'Burnt Norton' and documentary activity, the walk will openly and collaboratively reflect on notions of time and timelessness, consciousness, memory and rhythm in relation to the seasons and gardens.

Also considering the potentialities of the 'walk and talk' format, there will be an opportunity to interact along the way with several "walking books" - practitioners engaged in different areas of local cultural and community activity who will each have different narratives and connections to share. You will be able to sign up for a ten minute slot of conversation with at least one walking book of your choice - further details and available time slots will be shared nearer the time.

The walks are not open to the general public and are by invitation only.If you would like to join us, please contact me: elspethpenfold@yahooo.co.uk



Posted by Elspeth (Billie) Penfold at 07:08 No comments:

Friday, 9 September 2016

I am delighted to be taking part in this celebration of Margate's Coastal Heritage. With many thanks to Margate Coastal Park for organising and to the Turner Contemporary's "A Journey with The Waste Land" research forum  http://wasteland.onsocialengine.com/news for their continued support throughout.

-


Margate Coastal Park



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WALK WITH MOTIFS OF TS ELIOT'S THE WASTE LAND

  • Sunday, September 11, 2016
  • 10:30am  1:00pm
  •   
WALK WITH MOTIFS OF TS ELIOT'S THE WASTE LAND, Elspeth Penfold and participants of Turner Contemporary'sA Journey With 'The Waste Land', Turner Contemporary
  • Reading, Walk, Experience

Preparing for the big day on Sunday, hope you can join us!


A Clifftop Wander
9th - 11th September 2016

A celebration of the cultural heritage and contemporary vibrancy of Margate Coastal Park 

Newly commissioned artworks, performances, walks, talks, readings, family-oriented workshops, events and exhibitions taking place along the 5km stretch of public open space between Margate Main Sands and Botany Bay. 

Highlights include:
The Kite Pavilion at Fort Hill
Lacuna, an art exhibition embedded in the Newgate Gap
Blushing Pavilion at Palm Bay Shelter, an exhibition about seaside culture, sexuality and architecture in Margate

See the full programme at www.margatecoastalpark.org
Finds us on wwww.facebook.com/margatecoastalpark
#margatecoastalpark


A Clifftop Wander is organised by Margate Coastal Park Promotion Group with funds from Arts Council & Kent County Council and with the kind support of Thanet District Council, Margate Pride, Turner Contemporary, Whitstable Biennale, Heritage Open Days and Sight Seeking: Margate Festival 2016.
Posted by Elspeth (Billie) Penfold at 00:56 No comments:

Tuesday, 23 August 2016

Polzeath, Cornwall 2016,


I set myself the challenge of drawing the same view each day for twelve days. Works on paper, collage, pastels, graphite and acrylic." A Point of View". Love Cornwall. Love drawing, enjoying the sunshine.

















Posted by Elspeth (Billie) Penfold at 12:31 No comments:

Wednesday, 3 August 2016

Encounters with Sculpture in the City

Introducing the project

Yesterday the film maker and sound artist Harriet Gifford and I embarked on the first of a series of walks around the site of Sculpture in the City. Last year during, the Frieze art week, Stella Loannu, the Co-Director of Sculpture in the City, invited me to the talk," Public Art, who does it serve?". This project has developed out of the discussion that followed the talk and a proposal I submitted to Stella.

A conversation  with a man who passes these sculptures every day and spends time looking at them before heading off to work. He approached us as he thought we were lost. He loves the fingermarks and the rough texture of the work. 


The focus of these walks is on the everyday. We will regularly walk the area and engage with the sculptures, their sites and the people who we come into contact with.

Yesterday's walk exceeded our expectations. Every walk will have its own dynamic,yesterday we went into the space with fresh eyes and open minds. We deliberately avoided having a plan and we certainly did not expect so much rain!




For the purpose of this blog entry I have decided to focus on "encounters".
A conversation with a young boy (aged approx 11 or 12).He described these as weird sculptures, like Pirates of the Caribbean.....

Harriet had her own encounters with her recording of sounds, The Lloyd"s building is humming with activity and the sculptures create their own conduits of sound in their spaces. I am looking forward to catching up with her development of the recorded material.
Harriet recording "Laura". Below a conversation I had with a tourist who had seen a sculpture by the same artist in Bordeaux and showed me the photo on her phone.

People love photographing the Leadenhall lifts. It reminded me of Cesar Paternosto's book, "Piedra Abstracta", who decides what is sculpture and what is artefact?



"Florian and Kevin" by Sarah Lucas, Here,we met Lawrence and his brother. Lawrence has spent ten years drawing the buildings in the area, he is autistic and his brother has been uploading his drawings on instagram,You can check these out @Lawrencetheartiste.



Looking forward to our next walk in September, please let me know if you are interested in joining us, as we will be inviting groups to walk with us creating further encounters with Sculpture in the City. 

My email address: elspethpenfold@yahoo.co.uk

Posted by Elspeth (Billie) Penfold at 03:50 No comments:
Labels: Public Art, Walking

Saturday, 30 July 2016





My  painting "Flights of Fancy" is to be exhibited as part of the "Lust for Life" exhibition at the Menier Gallery this August. 

http://www.meniergallery.co.uk/Menier_Gallery/Plan_Your_Visit.html


The PV is this Thursday July 4th and it would be lovely to see some of you there. There will be a short talkat 7.00pm on PV night, given by Beatriz Acevedo.

I was contacted by Renee Rilexie the artist and curator from the Artists Pool last September, who let me know this exhibition was in the making. Coincidentally I had been working on some paintings inspired by the Argentine Giga, a giant hummingbird. I was also experimenting with the painting styles of Diego Rivera and Frida Kahlo. I was using the Giga as a metaphor for how inspiration travels. At the same time I had visited the Alexander McQueen retrospective at the V & A, and so, "Flights of Fancy" came into being.



I loved making this painting, It has many wonderful associations which are very close to my heart. I am also looking forward to seeing the work of the other artists involved, so many responses to Frida Kahlo all in one location.

Hope to see you there.





Posted by Elspeth (Billie) Penfold at 05:21 No comments:

Tuesday, 26 July 2016

Sun Pier House Gallery, Chatham, residency during the month of July. 

I was delighted to be offered the opportunity of a residency at Sun Pier House Gallery, during the Medway arts festival. 

I decided to use this opportunity to experiment with documenting the walk I had organised as a part of the Research Forum, A Journey with The Waste Land. 

For more about this:http://wasteland.onsocialengine.com/news
knots made by one of the participants.



“Quipu “(http://archaeology.about.com/od/qterms/qt/quipu.ht

Visitors were asked to walk on the paper to record their footprints and become a part of the walking memory.

I have been away so will post images of the marks on the paper when I return to Chatham.

Jennifer Deakin has been exhibiting some of  her photos of the walk in the gallery space next to the Quipu and it looks great. I hope some of you have time to visit before it comes down on July 31st.
The "Quipu", using the ropes which participants had knotted during the walk, now becomes the memory of that walk.

Posted by Elspeth (Billie) Penfold at 05:34 No comments:
Labels: Public Art, Walking
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